Horizontal Scroll Format

Kingfisher. 2021.

I’ve been exploring long horizontal compositions, inspired by Cheong Soo Pieng’s long scroll format. He was such a master of composition. I’m finding that the long scroll format allows for much flexibility compared to the square or the typical rectangular format. I’m still trying to find the right words to describe some of the differences but mainly, I find the square format tends to persuade our focus into the center of the picture, whereas the long horizontal opens up the space, helps me tell a story as a journey or a process. In contrast, the square format forces me to think about a point of interest, a highlight that typically assumes importance.

This shift in perspective can be quite liberating. When you tell a story in terms of a build-up, a climax and a resolution, you often get stuck. The stories may get reduced to cliches. Many stories are just little journeys that may not necessarily lead to a conclusion. Many stories are without resolution. They are just part of the process and you don’t really know where it leads. Many stories also have no climax.

The long horizontal format helps me take my time. I can start and stop whenever I need. I can keep travelling or take a rest.

I’m sharing here two long horizontal paintings which have been very enjoyable to produce. They have a way of capturing the rhythm of things, the never-ending ebb and flow of everyday life. I hope you enjoy them.

Awakening. 2021.

*To know more about Cheong Soo Pieng, check out Cheong Soo Pieng: Visions of Southeast Asia (National Gallery Singapore, 2010)